Showing posts with label Quilt Con. Show all posts
Showing posts with label Quilt Con. Show all posts

Tuesday, May 10, 2022

Quilt Con 2022 Favorites Part II

I'm back (finally) with more glorious quilts from QuiltCon.

Pride and Joy by Veruschka Zarate is a phenomenal foundation paper-pieced self-portrait composed of 2,359 shapes and 20 Moda Bella solids, and took 4 months to create. Veruschka was going to a modern, impressionistic look.

Pride and Joy by Veruschka Zarate @prideandjoyquilting

Pride and Joy by Veruschka Zarate @prideandjoyquilting

Bit Flip is Christine Perrigo's hommage to her former career as a software engineer. The darker green represents a bit flip (where a 1 is changed to a 0, or vice versa, in binary code. A hexadecimal number for "panic" is incorporated into the quilting, and the binding contains a hidden bit. While this convergence of analog and digital goes oner my head, I do love the varied dark hues and improvisation style of this personal work.

Bit Flip by Christine Perrigo @ccpquilt

There's something so soothing about the tones in Sealights by Paola Machetta. The piece was inspired by abstract features existing within an Italian seascape.

Sealights by Paola Machetta @thecultofquilt

The Big Fib, a whimsical take on the Fibonacci Swirl, is a introspective look at Imposter Syndrome. Brandy Maslowski gies a visual representation of her leap from art to modern quilter in this piece.

The Big Fib by Brandy Maslowski @QuilteronFire, Quilted by Sam Alberts of Quilting Curve Studio

The Big Fib by Brandy Maslowski @QuilteronFire, Quilted by Sam Alberts of Quilting Curve Studio

Falling Folds by Claire Victor depicts pieces of folded origami paper. Domestic machine shadow quilting repeats the English Paper Pieced design within the background.

Falling Folds by Claire Victor @cvquilts

Caroline Hadley based Sketch off a design from a series she draws weekly to share on social media. She paper-pieced the triangles, and made sure the striped print went the same direction in every triangle.

Sketch by Caroline Hadley @geometriquilt, Quilted by Valerie Cooper of Sweet Gum Quilting

Little Snippets is Abigail Sheridan de Graaff's personal challenge to insert the skinniest strips possible while maintaining consistent width, using only two solid colors. The design was improvised with just a simple line drawing. The quilting is meant to compliment the piecing using ghost shapes.

Little Snippets by Abigail Sheridan de Graaff @cutandalter

So do you have any plans to attend shows this season or next. things appear to be back up and running, but hotel rooms are in short supply, so I'm up in the air at the moment.

Monday, March 23, 2015

Quilt Con Lecture Notes

The lectures from Quilt Con that I'm going to share with you fall into two main categories:
"I'm a fan girl of Angela Walters."
Windham Succulents Booth at Quilt Market, Succulent Path (quilted by Angela Walters)
and
"Is there any chance I can make enough money off quilting to support my fabric buying?"
Two lectures I attended addressed the first topic, Publishing Your Work and Maker to Making a Living. I found both to be informative, but not completely encouraging. Then again, it's better to be aware of the cold, hard realities up front, right? Let's get on to the notes, and then I'll follow it up with a few personal thoughts.

Publishing Your Work
  • Publishing companies are looking for people who:
    • teach
    • hold blog tours
    • have many followers
    • are published in magazines
    • show a willingness to self-promote
    • have a thick skin and are flexible
  • Make original work.
  • It costs a publisher $30,000-$50,000 to produce a book.
  • Books give you credibility.
  • Author profit is about $1 per book, so don't quit your day job.
  • Magazines pay about $150 per article.
Maker to Making a Living
  • Submit good quality photos, rather than EQ drawings.
  • Follow the book or magazine proposal directions.
  • Be a recognized and well-known expert in the field of your chosen topic.
  • Be unique.
  • Have clear, specific, well-written directions.
  • Magazines are the way to get noticed and become known.
  • Have a platform to show that you are serious about what you're producing.
  • How many thousands of followers you have will be considered.
From both lectures I gather that having a unique idea is essential. Making sure you have been conscientious about the quality of what you have written, and that you have abided by what has been requested, are also critical. 
However, I found there to be a major paradox. If you want to be considered, you are supposed to be wildly well-known and a marketing powerhouse. And yet, your financial compensation will not be very substantial considering the credibility and publicity publication will bring. But wait, how do you get thousands of followers, fame, and accolades without the notoriety of being published? Have any of you published a book or magazine article? What are your thoughts?

Becoming a Better Quilter with Angela Walters
  • You don't have to be perfect.
  • A finished quilt is better than a perfect quilt top.
  • Don't compare your worst to someone else's best.
  • Don't point out your mistakes.
  • Don't forget the purpose of your quilt.
  • Practice consistently.
    • Practice on a quilt.
    • Practice designs you want to use.
    • Practice filling in areas completely.
  • Coping with mistakes:
    • Hide it by surrounding it with other stuff. It's harder to find a single element in a crowd of free-motion designs. (Conversely, dense quilting around something makes it stand out more.)
    • Make it again. Repetition somewhere else on the quilt makes a motif look intentional.
    • Embrace the mistake. Switch gears, and go with it. Just because it wasn't what you had in mind doesn't mean it's wrong.
    • Go "frogging". "Rip it, rip it, rip it." Use that seam ripper like you mean it.
Bauble by Emily Cier, Quilted by Angela Walters
Quilting Negative Space with Angela Walters

Since Angela gave use the notes, I'm going to save a step and give you a peek.
Prior to Quilt Con, I enrolled in Angela's How to Machine Quilt Negative Space class on Craftsy. While Angela is an engaging lecturer, I found the ability to replay the class at my whim, and to actually see the process in motion (rather than still photographs of completed work) to be the better option for me. Besides, the Craftsy class is on sale now for $19.99. Considering the lecture was $12.75 with the Modern Quilt Guild member discount, I'd say that's a very nice value.
Have you been to any quilt lectures lately? If so, what was it, and what did you think?
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Monday, March 9, 2015

Quilt Con: Favorites Part III

Thanks for joining my final installment of Quilt Con favorites. Let's start things off with some well-used asymmetry.

Off Center by Charlotte Noll
Applique isn't just for traditional quilts. Geometric shapes show great versatility.

Sticks and Stones: The Border Test by Rachel Kerley
I just love a deconstructed traditional pattern.
Deconstructed Lodestar by Amy Struckmeyer
Traditional blocks used within a non-standard layout and in modern fabrics is a pleasure for the eyes too.
Long Island Modern Sampler by Kim Soper
7 Up captures the illusion of curvature within its piecing and quilting. Debra's design concept is fresh and captivating.
7 Up by Debra Jalbert

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Sunday, March 8, 2015

Quilt Con: do. Good Stitches Exhibit

A special selection of quilts from the do. Good Stitches bee were featured in a special exhibit at Quilt Con. I'm sharing just a few of my favorites today. The level of continuity attained in these quilts created by many different quilters that have likely never met in person and the level of effort put into something that will be donated is a tribute to the wonderful online community of quilters.
Ascent by the Do. Good Stitches Bee
I am proud to have been part of the creation of this quilt, along with my Hope Circle bee mates. Check out my original post for the block specifics.

Eclipse by the Hope Circle of the Do. Good Stitches Bee

I love the eclectic rainbow shining from these blocks of various sizes. This looks like a great solution for scraps of all colors.
Watercolors by the Do. Good Stitches Bee

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Saturday, March 7, 2015

Quilt Con: Favorites Part II

Welcome back to a showcase of some of my favorites from Quilt Con. If you missed my pervious post, it's over here.
Here in Albuquerque, quilters are rather inundated with the southwestern theme. Kokopelli's, chili peppers, and pottery motifs abound. Even so, a less literal interpretation of the theme can really give a nice flavor to modern quilts. I love how the half square triangles transition Flight Path from one background color to another.

Flight Path by Mary Menzer

A gradation of color and/or value within modern quilts can really draw a viewer's focus. Love in the digital age accomplishes this well. Icy Waters is another example of this concept.
Love in the Digital Age by Kristin Shields
Heather Pregger has an entire series of Turning Fork quilts. It's genius how she takes a minimalistic block and repeats it across the quilt in different values to make an overall impression.
Turning Fork #12 by Heather Pregger
I enjoy how Wake Up! Wake Up! is one part Emerald City and one part stained glass window. Trapezoids deserve some respect!
Wake Up! Wake Up! by Amy Dame
What do you get when you put a lovely trim in the enlarger machine from Honey, I Blew Up the Kid? Eggs and Darts, of course!
Eggs and Darts by Amanda Leins
Let's do a double play on the enlarger machine, shall we?
Eggs and Darts by Amanda Leins
The warm colors of Road Between the Lines seem to have a mind of their own. Stephanie Ruyle's has a very modern, fine art predisposition.
Road Between the Lines by Stephanie Ruyle
The poison arrows in Hollie Lobosky's quilt are a nice, original accent shape.
Shoot That Poison Arrow by Hollie Lobosky
Pick-Up Sticks is a fun take on an improv star.
Pick-Up Sticks by Becky Goldsmith
Glitch! certainly has the concept of bold, graphic design down pat. I love the three color combination too.
GLITCH! by Susan Strong
Bauble is the total package -- vivid color, phenomenal quilting, and a striking design.
Bauble by Emily Cier
These birds are so smart.
Folded Flock by Jenna Brand
This color palette is so appealing.
Sunburst Quilt by Tara Faughnah
Gradient is classic beauty through simplicity.
Gradient by Alys Gagnon

Infinite Whispers is low-volume love through and through.
Infinite Whispers by Jennifer Chan
Face #1 is artistically brilliant.
Face #1 by Melissa Averinos
I'd call For Tanya a masterpiece of modern art. Emily's use of color makes the sky glow and the sunlight sparkle on the water. Brilliant, just brilliant.
For Tanya by Emily Coffey
Jodi did a nice job pairing her quilting with the design in a way that truly compliments the quilt.
Tiki Dilemma by Jodi Robinson


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