Showing posts with label Quilt Festival. Show all posts
Showing posts with label Quilt Festival. Show all posts

Sunday, November 3, 2024

Highlights from the 2024 Quilt Festival Part 2

A Year in Hand by Margaret Brockband, and quilted by her daughter Maika Christensen, is based on the Mrs. Billings Coverlet pattern by Karen Styles, but with a modern palette. 


The original quilt from 1790 is in the Quilters Guild of the British Isles collection. The quilt was hand pieced and took about 2,000 hours.


Blooming Flower, an original design by Fengmei Li, gives its flower an explosive, geometric appearance with hundred of slender rectangles.


Kathryn Kerr's 365 Challenge Quilt was the basis of Suzie Wilbanks' Finding Teal Mountain, except she swapped the center medallion with a Mariner's Compass. Lois Kindley did the quilting. 



Highlights from the 2024 Quilt Festival: MQG Through Lines

Quilts from QuiltCon 2022-2024 that use line in effective and interesting ways were shown in the Modern Quilt Guild Through Lines exhibit. 

Dancing hexagons, composed of 1/8" strips in a darkening monochrome give the impression of spinning off the quilt in Pickle Hex by Megan Ellinger.


Stereo Vibes by Gabriella Garza and quilted by Melinda Sword was inspired by Sherry Lynn Woods' Modern Improv Handbook for Modern Quilters score #10 (affiliate link). Striped blocks were originally pieced without a specific direction or vision in mind. The center stripes are reminiscent of auto visualizers on an old stereo.


Disappearing parallel lines on the left provide visual interest, while colorful lines are employed to disrupt visual monotony in this untitled, labor-intensive, piecing challenge created by Elza McKenna of Rippey Street Quilts. She found the repetitive pattern to be a meditative practice that allowed her brain to relax.


Laser Maze by Melissa de Leon Mason (left) is a modernized play on a traditional Celtic knot quilt with the high contrasty of bright neons on charcoal gray. Geometric quilting in fluorescent thread emphasizes the lines of the design through their progression around the quilt.

Page Turner by Donna McLeod and quilted by Trace Creek Quilting depict the passage of time when immersed in a story with it's illustration of an upside-down book.


Trichotomy was a UOF for Barbara Oliver Hartman, before she decided to pick up the hand-dyed project years later. Thankfully, this beauty was completed for us to see!


LA Stripes by Claudia John Shearer is inspired by the scenery, colors and light of Los Angeles. Freehand cut strips give a sense of movement and energy.


Out of the Dark by Robert Bosscher (left) represents the seemingly endless, enveloping darkness of depression, with its deceptive, negative self-perceptions and depletion of self-worth in contrast to the light and restorative worth people reaching out restore to those suffering from the pain and sadness. Robert shared a quote from My Brilliant Image by Hafez, 
"I wish I could show you, 
When your are lonely or in darkness, 
The Astonishing Light of your own Being!'

Leaves of Grass (right) by Heather Pregger is inspired by golden green salt marshes that represent the termination of summer in of Massachusetts.


Patti Coppock Bucklin improvised the design of Where She Stops, Nobody Knows. The first few blocks formed a curve that she continued to form a circle. Scraps were used to accentuate her favorite cinnamon-colored fabric, while appliqué circles give movement.


Broken Bonds by Amelia Harveycutter features brightly colored, disintegrating outlines of Sawtooth Stars over a black background.


Saturday, November 2, 2024

Highlights from the 2024 Quilt Festival Part 1

Truly Madly deeply was meticulously pieced, appliquéd, and freehand quilted by Karen Lambdin using the Whig's Defeat pattern from Quilts With a Spin (affiliate link) by Becky Goldsmith and Linda Jenkins. 


She added special touches including a scalloped edge and beaded piping. For details on this technique, check out Bethanne Nemesh's All the Devilish Details class.


Silk and Soul by Karen Lambdin features a plethora of techniques including but not limited to shadow trapunto, painting, vintage pieces, paper piecing, and yo-yos.


Karen created her own blocks from silk with inspiration from Cinzia White's The Storyteller Sampler (affiliate link). She added personal touches, such as her favorite hobby (kayaking) and her pets.


Longstanding quilt artist, Caryl Bryer Fallert-Gentry explored symmetrical spirals in Electric Snails #2. Sketched as a line drawing in Corel Draw, printed on fabric using Spoonflower, employing transparent elements, and quilted with assorted colors of thread and designs, this piece shows Caryl's signature style.


MJ Kinman uses a paraiba tourmaline to represent earth, and a black diamond to represent the climate crisis, in Eclipse 2020, which was created for eQuilter.com's For the Love of Gaia exhibit. 

I had the pleasure of attending MJ's "My Quilting Odyssey" lecture during the Festival. She explained how Interaction of Color (affiliate link) by Josef Albers influences her work.


Wednesday, November 21, 2018

Quilt Market: Take & Teach, Festival Classes

*Affiliate links may be present, If you make a purchase through a link, I receive a small commission that helps support the blog at no additional cost to you.

Prior to this Quilt Market, I had neglected to give consideration to one of the most awesome facets of concentrated education and inspiration, Take & Teach. My oversight may have been because the hour and a half sessions come at the front end of a jam packed day or because there is so much to take in at Quilt Market that it feels like your mind will blow, but these hands-on sessions were chock full of goodness.

I snuck in and took a little peek. Lucky you, I'm inviting you to go beyond the scenes with me where usually only quilt shop owners get to explore. Here's the backstage tour!

Last year, I caught sight of the traditionally-inspired, but simultaneously on-trend, Brimfield Awakening Block. Eager participants in the Take & Teach class got a run-down of the basic steps in EPP.


The ladies participating in the Spring Mug Rug, presented by Debra Haney of Clover Needlecraft, took wearable art to the next level.


They were exploring Clover's new paper-backed fusible, Wonder Fuse.



Festival courses were a flurry of creativity and the skillful use of techniques taught firsthand by masters of quilt artistry. Here a student in the Painting Images with Dyes class taught by Hollis Chatelain class put shading, blending, and highlighting to work on a fish.


Another student conquered flora instead.


Hollis is a world renowned, award-winning artist. A privilege provided by Festival is access to the highest caliber quilt professionals all in one location. 


The merging of artistic mediums is a fascinating development shown both in multi-media classes and on the show floor.



Feathered Star is an enduring classic block due to its awe-inducing points. Peggy Martin taught her students The New Feathered Star using Quick Strip Paper-Piecing.


Feathers Four Ways for Domestic Machines taught by Jenny K. Lyon, author of Free-Motion Quilting  From Ordinary to Extraordinary made me want to jump on a machine and join the fun. Just look at all the masterpieces Jenny has created.


Her students produced a flock of feathers in splendid array.




Cindy Grisdela, author of Fabric Painting and Artful Improv, taught a Fire and Ice Bargello class.



Melinda Bula is known by her radiantly and realistic enlarged garden blooms. Students produced a variety of Fabulous Fusible Flowers, specifically hibiscus. Unfortunately, while Melinda was in Houston, her home was lost to the California fires.


Collage the Garden with Sarah Ann Smith brought forth the foliage as well.


Barbara Olson had her Jump Start Your Creativity students well under way on their projects by the end of class. Each was beautiful and unique.



It's all about the details in Seed Bead Botany with Nancy Eha. Many prominent quilts on the show floor certainly used embellishment to create intricate details.


Lama, lama, bead-a-rama!


Now, I must mention that some classes did not live up to their description at all, and I for one, was disappointed. Take for instance, the Take Your Pants Off and Let's Make Some That Fit class. Every last one of the students was still wearing pants--serious proof that it's all smoke and mirrors with Judy Kissinger. Let me know if you have any information about this scandalous modest deception.


Unlike Judy Kissinger's class, Laurie Ceesay's Whimsical Selfie Quilt class had nothing to do with your lower half and focused on above the waist. There were many striking resemblances, and the students said the process was both easy and fun.




Speaking of easy and fun, that's just what Kathy Kansier's Fast and Easy Broderie Perse Appliqué promised. Based on student response, I conclude that she delivered on that promise.


Gail Garber challenged her students to create original artwork using freezer paper foundation paper-piecing methods in her Design Sensational Stars class.




Kimberly Einmo's Fire and Ice Quilt has captivated my attention since I saw it in person at a local show. The student I spoke with had taken one of Kimberly's classes previously and swore her points came together so much better due to the tips she learned. 


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